“But why are you going to Amsterdam on your own? Is it because of an event?”
“Haha ok. So why are you going?”
“Because I can.”
“But why are you going to Amsterdam on your own? Is it because of an event?”
“Haha ok. So why are you going?”
“Because I can.”
Guess who’s been writing internal news articles again? Below was produced to promote the tool I’m developing as part of a team for a sub-project at work. More details below but so far the reception to both writing and project outputs have been great.
When I was a little girl I wanted to be Britney Spears. Then around the age of seven I realised it would be a difficult career path (turns out it’s a ‘dead man’s shoes’ role), so instead I settled on hard-hitting journalism, only to find myself documenting the adventures of a pineapple in a party hat (don’t ask). Post University there were three years in charity and now I’m fast approaching two of the same at Nationwide but it’s only recently that the words ‘Project’ and ‘Management’ have sprung out as possibilities for someone like me.
I applied to be on a team for this year’s Association for Project Management (APM) challenge with echoes of Britney in the back of my mind. What skills and qualities do you
need to have to enter it? Where do you go to access accredited material? Is Project management even the right career? I was about to call it out on when someone else said it, and then another, until we’d all agreed that between our collective 17 and a half years’ experience no one knew the answers to these fundamental questions. Our deliverable was born; in four months we’d build a tool to help practitioners focus their development time more effectively. We would call it the “Project Development Matrix” (and Michael, our project manager, would tell me to stop suggesting we wear long coats and shades like Keanu Reeves’ did in the 1999 film The Matrix). With our tool all you’d need to do is answer a few questions and the answers would automatically populate charts to help tailor the development plan of the user.
The APM challenge is designed to develop project management qualities and knowledge of the project lifecycle. We produce detailed reports to deadlines, stage project boards with our sponsor and must deliver what we set out to do. For the finals night in May we’ll either have produce additional material or present to a panel. You’re up against teams from a range of organisations so company lingo has to be stripped away and everything taken back to APM fundamentals. The project would be enough of a challenge for a single co-located team, however we’ve added a layer of fun to the mix by basing ourselves across two Swindon and one London office.
So where are we now? In February we housed a focus group to get consumer views and refine our ‘product backlog’ for the first release, with a view to develop and expand the tool and its use case after that. No project is entirely smooth running, given the snow I experienced in central London I struggled to see why the original focus group in Swindon had to be moved, but it’s the setbacks you learn best from.
The tool is presently due for release at the end of this month. Give it a go and let us know your thoughts. Any issues and I’ll don my shades and get Keanu to enter the Matrix himself and investigate further.
I was in a London bar the other night, relaxing with a book and a medium sized glass of sparkling cranberry juice. There was a nice flurry of activity occurring around me, date night couples, arguing couples, groups of friends, a solo American businessman trying to engage with conversation (bless), all the standard things you’d expect to see in a alcoholic establishment of its sort and location.
I was sat in a booth to myself and taking in the lively scene of human activity mid page (the joy of a gentle anthology) when something caught my eye. At first I thought I was mistaken by what I’d seen but then the dart happened again and again, until my brain finally came to terms with what it was witnessing less than two meters away.
The little pests were so quick and spontaneous with their movements I could barely get my phone out, let alone take a photo, before they dashed back into the shadows or across the tiles into a new crevice. I saw one dash towards the American businessman but he seemed too preoccupied with asking the bartender to hit him with yet another whiskey so I held my tongue.
I’d only just arrived at the pub and settled down, so felt very reluctant to leave. I’d been to the establishment before and saw no sense in hurrying back to the cramped little flat I call home alongside four others. Besides, I’d paid £2.70 for my sparkling cranberry juice.
I knew exactly what to do. I put on my headphones and whacked on one of my most played songs. A classic of a classic, Ralf Vaugh Williams’ The Lark Ascending is as beautiful a composition if ever there was one. And while I can never begin to review it on a note-by-note basis (this girl dropped trombone when she was sixteen) I can firmly say that as a sentient human being it is a song that always helps lighten my spirits whatever mood I am in. I’m playing it right now as I type, listen:
So delicate but forthright and strong. Each time I hear the notes I see a different version of me play out, be it the girl in an evening dress or the girl donning her stick and hanky as she strides towards the city where the streets are paved with gold. And it was listening to The Lark Ascending that night in an average pub with mice running around that I was able to find my inner composure. Don’t get me wrong, mice or any kind of vermin indoors is not particularly pleasant, nor should it be ignored, but just listening to classical music, well, it seemed to transport me somewhere completely different. I could overlook the mice dashing about, in fact I was even able to half smile at their ill fated antics to get any distance before a human made a move of their own.
And then I looked down and saw a mouse sniffing my pump shoe and the bare foot within. Then I freaked the hell out and swiftly finished my juice as a scooted towards the door of a rapidly emptying watering hole. I left the single member of bar staff in the delightful company of the American and a newly arrived drunk local.
And it made me think, when did I start embracing classical music? What were the key tracks that started it? Well bizarrely my love of classical music all started with a free CD that came with a Saturday Daily Express newspaper. Remember those few years where newspapers gave out CDs every five minutes with a random assortment of music? Well in 2004 we got one and it must have been the Euros or something because it was called Football Passion (even though the last World Cup had been in 2002).
Well much to the surprise of 11 year old me and a good deal of other Daily Express readers the CD was purely classical music. Not a sniff of Lighting Seeds in sight. And yet in a very weird way a free piece of plastic came to be the making of me. Playing it in the car for weeks afterwards I was able to formulate my own narratives around each song. The first and strongest story I devised around a song that was around the composition of William Tell Overture. Don’t listen to this and tell me you can’t picture the spectacle of the horse racing?
Picture a scene resembling the Grand National or Cheltenham Races, horses chasing up to hurdles and bounding over. Riders falling to the wayside one by one as proud owners look on to see their champions to the photo finish. So much energy and excitement.
Pavane, the song that flows straight after William Tell Overture on the CD’s playlist, created in my head the sense of disappointment of the losers.
The riders cast aside as failures, the damaged horses piled in heaps awaiting their fate as the rain starts to drop down. That or a general sense of romantic sadness, young boys packing bags and sent off to war when they barely understand what suffering is. The long days of rain and sadness.
And then, several songs later…
The slow build up, the knowing that something is about to happen, something is about to change. And then boom! The base drops and you’re filled with a sensation of happiness and warmth. The rain has stopped, war is over, there is a shining future ahead and all you can see is the goodness in humanity. O brave new world!
As crazy as it would seem, a free CD aimed at a sport I had no interest in would spark a new altogether different fascination in me. Around the same time my Mum got given a compilation CD set for Christmas called Pure Chillout.
Still played around the house some fifteen years later, the album’s selection of modern hits with a feeling of ‘future classics’ was timed perfectly to those early teenage years of trying to make sense of the world under a mountain of coursework. The Heart Asks Pleasure First has strong banking connotations in the UK, but for me I could see only two lovers running around wild meadows, pausing only to catch their breath and the beauty of their company.
How mighty is the piano.
Mum, a now retired teacher, used Adiemus for one of her class’ dance routines.
Aged about nine, I listened to the song repeated endless times in the kitchen while she formulated the choreography for a group of twenty seven to eleven year olds. I remember watching the class rehearsing the performance an thinking it very impressive given my Mum half an hour before had been teaching Maths. However it wasn’t the story I’d created in my head.
In my head I pictured it as a battle scene. The noble and good army preparing for the battle ahead at camp, heading to the field, squaring up with their mighty and evil enemy across the board field. Then the charge with an almighty crash as the two sides interlock for the first time. The bloody battle, the slaughter and long battle, ending with the head of the enemy cut clean off and rolling away. The enemy drop their weaponry and the good Queen proclaims the victory to her humble supporters.
In hindsight I understand why my Mum couldn’t have acted out similar with her students.
Spin things back to the present day and you can find Mozart sitting comfortably as playlist bedfellows to songs such as this where English lyrics start to make an appearance, but only as long as they serve as backing vocals to the main event:
I now find myself frequently utilising the power of the classical genre to help me focus on big tasks or help support and make sense of the creative noise in my head. With no fake beats or confusing lyrics to contend with my mind can make its own conclusions of what it hears. And like any form of artwork, I can listen to it knowing that a distant person on the far side of the world can understand the wordless track just as easily and form their own opinions and judgements.
Were years of classical music the only reason I put up with hoards of bar mice that evening? Of course not. But could I say to you, hand on heart, that without ever listening to a classical music track I’d be sat here today writing the way I do? Now that’s a tougher question to answer. Because classical music forced me to form a story based on no steer whatsoever. It began that process of storytelling that has stuck with me ever since. Without the genre I genuinely do not know if I’d still be able to pull writing topics out of thin air or even if I’d have the confidence to share my ideas for the world to see for themselves.
If it is inspiration you seek, it is classical you must find.
By Alice Bennett, aged 26 (& 1/4)
It was Tuesday evening and Alice was relaxing in her room with a healthy dose of catch up TV.
‘Hmm,’ she thought, ‘by choosing to watch American reality show “The Bachelorette” I severely risk damaging my IQ and the Feminist cause, however I have already listened to two hours of Classic FM today and learnt about the benefits of a Public Council on Radio Four. I think I can treat myself.’
Just as Alice leaned forward to reach the play button her phone buzzed awake. The surprise caused an elbow-jerk reaction, knocking the stained mug’s overfilled tea contents all over the dark mock-wood next to the bed.
‘Fudge!’ She actually said.
The text has come from Alexandre, a delightful young flatmate who had many wonderful qualities including, notably, being of the French persuasion. Alice had learnt this one evening when she muttered ‘c’est mort’ as a farewell greeting to her younger sister on the phone and ended the call with Alex thinking she was the French Godfather. After the initial encounter the poor European was left quite perplexed with English culture.
Alex had put a message in the flat’s social media group chat to enquire as to the ownership of the three eggs in the kitchen. Alice knew exactly what Alex was referring to, there had been three medium sized hen eggs in a saucepan of water all day. When she’d originally seen the eggs sat in water on the cold hob her first reaction was balanced, educated and above all very cosmopolitan in outlook.
‘Eh, must be a French thing.’
Now Alice would never want to be labelled as culturally insensitive or stupid, but now she had to admit she was both. She felt like a muppet, a right muppet indeed. Slouched in Gap jogging bottoms and a strap vest top of brown, Alice pointed a finger at season thirteen’s first African-American bachelorette.
‘You did this’ she hissed.
Alice realised then that getting out of her room may be a good idea. She picked up her phone (because she’s a millennial) and ventured into the dark hallway. Halfway down the stairs she saw Alex stood at the sink with a hoody on. While she could not see his face Alice had to make the assumption that it was Alex and not some random intruder, after all if Crimewatch had taught her anything gang members do not tend to carefully stack Tupperware boxes on the counter, they steal them.
‘They aren’t my eggs!’ Alice called out, piercing the silence with her brash statement that entered the world more cockney than either party expected. The loud noise in the nearly quiet flat made Alex jump in sudden panic. No one in the establishment makes conversation, let alone that of the light hearted, small-talk kind.
‘Oh right,’ Alex responded. ‘I am not sure why they are there.’
‘Beats me. I saw them there before but didn’t know what it was all about. I assumed they were yours.’
‘Because you’re French!’ The words burst out of Alice’s lips like Brian Blessed storming towards a voiceover contract.
‘Great, now he’ll think I’m a racist. An egg soaking racist’ Alice thought.
Alex laughed. ‘No, not mine. I do not cook eggs like that!’
‘Well who do the three eggs belong to then? Why would anyone do that?’
‘Maybe it is preparation for a meal.’
‘Don’t be daft, English people aren’t as exotic as that. And Daniel doesn’t cook anyway, lucky sod who gets free food from work while some of us live on scrambled eggs every night.’
‘What did you say?’
‘I said they cannot be Daniel’s. The three eggs must belong to someone else.’
Alice and Alex laughed some more over the matter. Alex stood firmly in the kitchen, Alice crouching on the stairs, the two had quite the chin wag. In the end Alice raised herself and started ascending the staircase once more.
‘See what the others say, but this is the most British thing I’ve been in debate over in the long while!’
Two minutes later Daniel entered his response into the group chat ‘not me! I don’t cook! Laziness < cooking’ before taking his turn to enter the small kitchen and see the spectacle for himself. Alice who was busy preparing herself for the pub (if chav wear wasn’t acceptable in Swindon it probably wouldn’t be suitable in trendy London) took it upon herself to pause her preparations re-join her flatmate’s debate, this time sporting a pair of cheap leggings and a long top.
Three grown adults, staring at three pale eggs in a pan of water. As real life mysteries go it was enough to top any mid series episode of Midsummer Murders and even Alice acknowledged that seeing the eggs gently bump into each other was probably witnessing more action than in the whole duration series thirteen of The Bachelorette.
‘Talk about a love triangle! Left egg is such a player’ she thought.
‘So who’s eggs are they?’ Daniel asked.
‘Please stop speaking bad French.’
‘But they are not our eggs?’ Alex continued.
Alice pointed her thumb in an upward direction. ‘They must be Lily’s. But all the same it’s quite the English mystery don’t you think?’
Both boys shrugged, it seemed Alice was more invested in trying to ship this as some kind of scandalous tale than her roommates. In many ways it was to be expected, back in the Cotswolds she could see great appeal in “The Mystery of the Three Eggs”, she need only open with a description of the semi-clean environment and she could have housewives fainting. But in the here and now all three fleshy compositions decided that little nor much interest in doing something with the shelled eggs while they sat unclaimed in a black pan, chilling in a pool of odourless water.
‘I’m going to the pub’ Alice stated on the way back to her room.
About five minutes later a blunt message came through from the final flatmate. ‘Not mine’ it stated.
‘Curiouser and curiouser! Who on Earth is the owner of the three eggs in a flat in Wapping?’
For Alice the mystery simply did not make any sense. Was there an egg bugler, an egglerer on the loose? Was it the egg God bestowing medium price range goods on Alice in return for long months of searching for value? Why did the faith of Dale’s Dad on The Bachelorette mean Rachel had to send him home at the rose ceremony? For poor Alice this whole situation really was quite a conundrum and she hadn’t consumed enough wine to be processing words like conundrum. Wanting a break from it all she tugged on a lightweight jacket and some pearls (obviously) and with a flash was out of the front door and on her way to a large glass of wine. A place where closest thing served to an egg was some kind of hipster named beer.
Alice was about half way to the pub when she felt the phone vibrate in her rucksack.
‘Wow, I’m like Chaka Khan after a ten-year media break,’ she thought to herself.
Given it was dark and she was listening to a banging tune by Genesis (who FYI are still a cool and acceptable band to appreciate in the 21st Century), well she decided to simply not give the buzz any attention until she was in the safety of a local boozer.
Sat at a high table amongst the warmth and safety of a large number of semi-drunk regulars she pulled out the little iPhone to view the message that had come through minutes before.
‘So mine, but I don’t remember’ was the short but self-explanatory message from the fingers of Alice’s French friend. She sighed and took a slight sip of her 150ml house wine (Alice being, as ever, somewhat of a tight wad). ‘Of course the eggs were Alex’s all along! Classic Agatha Christie plot, the Frenchman did it! It’s always the Frenchman! Or is it always the butler? Did French people exist in 1920s Britain when Christie was writing? Maybe I should look it up.’ But before Alice could sink herself into an even deeper, potentially borderline insulting, hole another thought popped into her mind.
‘Why don’t I sit here in this pub and write out this whole account? Yes, that would be a good idea. It’s so classically middle-England! Creating a soap-opera drama over something so trivial as three eggs. People will instantly get it and find it charmingly hilarious.’
But then sat in the crowded Wapping pub, immersed in a great deal of other fascinating conversations in all manner of tongues, another thought popped into the head of the young professional.
‘But what if people read the tale and feel let down? What if they read the whole account expecting some hilarious punchline or deeper meaning, but instead get only three grown adults staring at a pan of eggs? Wouldn’t they be really disappointed? I would be if it were me.’
At that very moment the twentieth spam message of the day came into her email account, this one being from Groupon with the promise of ‘mega discounts on cheese’. Alice opened her laptop and smiled to herself. For if there’s one thing spam emails and novels like Fifty Shades of Grey have taught society anything is that people are a sucker for a catchy headline.
She started to type.
For my second of two articles I had to produce for the internal monthly newsletter I decided to do an interview with a senior bod in the organisation. However this is me and while I’m still clinging onto the famous ‘graduate’ gold pass (I’m not a graduate, but there has to be some perks to people forever calling me that), well, it seemed perfectly reasonable to take a different stance on the traditional dry corporate interview the Executive Committee usually answer via email. Even though you won’t know the guy directly I hope you get what I was trying to do here, I certainly got the feeling he did.
Jeremy Paxman got nothing on me.
JS: So why are we doing this?
AB: I thought it would jazz up the newsletter interview if we got to know the man behind the face. Don’t get me wrong, I love Digital strategy…
AB: …but we don’t really get to know you. Shouldn’t take long but before we start I should say you’re allowed to decline questions or terminate the interview should you feel uncomfortable
JS: What are you going to ask me?!
AB: I’m just covering my back J
JS: *Chuckles* okay, go on.
AB: What’s your favourite chocolate bar?
AB: Biggest strength?
AB: Football or Rugby?
AB: Favourite team?
JS: Bath Spa
AB: Playground nickname?
AB: Would you rather be a giant hamster or a tiny rhino?
JS: Tiny rhino
AB: Bath Spa or Swindon?
JS: As in the city?
AB: Well, yeah, I wouldn’t make you compare Swindon to basic hygiene.
JS: *Laughs* fair enough, Bath Spa
AB: What’s your Zodiac sign?
AB: Morning lark or night owl?
JS: Morning lark
AB: Tea or coffee?
AB: Would you rather meet an alien visitor of travel into space?
JS: *Pause* travel into space
JS: Anything before 1998
AB: What happened after 1998?
JS: It all went downhill
Describe yourself in one word.
JS: *Long pause*
AB: Just anything
JS: It’s a tough one
AB: Have you never had to answer that at an interview?
JS: I haven’t been interviewed in ten years! *long pause* Determined
AB: Digital or analogue?
JS: Analogue…joking! Of course it’s Digital.
AB: God, you had me worried there for your job. As if an analogue fan could head up digital, I’d have to get you escorted of the building out on principle!
I was recently sat in a bar with a glass of wine and my new portable laptop (best investment of the year so far) when I had a flashback to all those Jordans’ Frusli snack/cereal bars I bought before London. Remember those?
So I decided, quite randomly, to send a letter to the lovely people at Jordans to make them aware. Of course this is me so naturally it wasn’t a standard letter. I took a sip on my rapidly depleting glass of red and wrote the following:
Dear Sir or Madam,
RE: Why can’t men be more like Jordans Frusli bars?
My name is Alice and I’m a finance professional and freelance blogger/kooky lady living in the centre of London. Now I’m pretty sure you’ve taken one look at the RE there and thought “hmm, this complaint may involve the assistance of a therapist, or a year seven biology guide”. But before you fear on that front, don’t worry, I know men can’t actually be like your Frusli bars. Everyone knows men are made out of used socks, cheese puffs and that weird smell no one can ever quite place. I think it’s a mutation of Lynx. Anyway, I’m not stupid but hear me out on this.
I relocated to London in May last year, a pretty stressful process as moves go. I was leaving Swindon with not a clue in the world what to do. I assumed that everything in London was expensive and topped with some kind of skinny foam, so I thought it wise to stock pile on what I knew to be good, wholesome and something I could pretend was 3 of my five a day. In my keen to stockpile for an event that you may have thought was a new Cold War I may have bought enough boxes to reach my hip… [picture insert]
You can imagine the fun I had transporting those from Paddington to E1. With everything else my bags weighed a ruddy tonne. However, unlike the many, many men who walked on by, the energy I got from a blueberry Frusli bar helped give the me energy to lug those bags on/off tube lines and up a flighty number of stairs. The power of the Frusli!
Once in the flat I managed to locate a drawer to put my various bars in to which I was quite satisfied. The drawer has since become a mini shrine to the many snack bars I have and, unlike men, I find the content of the drawer provide much enlightenment. Do I eat chocolate? Do I go out food shopping? When I open my Frusli drawer it always shows me the way. And I tell you what, they never ask me to make them a sandwich as a solution to my query.
Frusli bars offer variety, they have a fruity content and are even eco-friendly without rubbing it in your face (I see what you did with the packaging). They don’t take up space, they can accompany any meal or make time for you any point of the day and my parents love them. In fact, in many ways they’re the perfect partner. Wait a moment, maybe they’re too good…
Ok scratch the above, this is now a complaint letter. Congratulations on making something awesome that keeps me going and kept me strong when I didn’t know where to buy eggs in this crazy city. But you’ve made something too good so now I’m unable to find a living male who is as adaptable as an apple and cranberry cereal bar. Disgusted.
I look forward to hearing how you’re going to resolve this matter ASAP.
I wrote that and sent it without re-reading it (until now, golly gosh that Merlot). I genuinely thought I’d never get a response. Another crazy lady from London. Well I was very firmly proved wrong when today I received a large parcel from the customer service team at Jordans. Inside the cardboard box was a letter.
Well what can I say? Other than, yes! Our Frusli bars are pretty awesome and they do offer the standard when it comes to offering variety and honest goodness. I am certain however, that there is a guy out there with equal qualities who can make time for you at any point and, most importantly, help you find eggs in the crazy city. In the meantime, here are some more Frusili bars along with some of our breakfast cereals – who knows, maybe once you’ve found Mr Right you’ll be able to enjoy our Granola together for breakfast.
All the very best,
Emma Morris, Customer Experience Advisor
And under the letter was this!
How awesome is that! Completely unexpected as well. The luxury of Jordans cereal! I’m used to handling own brand Wheat Biscuits so this really is a massive step up. And given when I had to reschedule the missed delivery Mumma Bennett was convinced that I’d be getting her quilt cover this is very much a surprise to everyone. Mumma B said I must have written a very good letter to get such a response from the company…well, now you’ve seen it I’ll leave that final call with you.
(Ps – Jordans/Emma, I’m still hunting for the best reasonably priced eggs in London and a man, in that order.)
The below was written as part of an internal communication piece showcasing employees who have chosen to relocate for their work. My piece focused on moving to London but with a classic Alice twist.
I wake each morning and stare at an isolated patch of peeling paint. I don’t how it came to be or why I look blankly at it every morning, but it has become a weird habit I’ve developed since relocating. Everyone has habits here, some people get through their commute with a super-skinny-muchos-frappy-bean café deluxe, others smoke like the bellowing car exhausts on Tower Bridge, for me staring at length at a flaky patch is mine. And I wonder why my Mum worries for me.
The most over repeated piece of advice on Development schemes is to make your own opportunities and I suppose for me London represented this to the extreme. If I could survive in the big smoke I could thrive anywhere. Combined with an exciting placement proposition I could hear Threadneedle calling in May 2018.
Upon arrival I told myself that I wouldn’t become another digit on London’s loneliness statistics which is why I have made every effort to try new things outside of work. “Speed-friending” events are all the rage in central London, up there with humanitarian clubs and vegan veg-outs. Regardless of my outlook I’ve attended all manner of get-togethers and learnt so much of wider society. I’ve even learnt to embrace my inner hipster, sitting crossed legged at acoustic sets and hanging out in independent coffee shops in berets and neck scarves (and getting subsequently mistaken for being French. “Je suis…Anglais”, the end result of five years of the British education system).
From the moment I leave my flat each morning I’m reminded of how far removed I am from Swindon. The smell of soot in the air, angry cyclists cursing at pedestrians, the wrapper of a tourist poncho blowing down the street, admittedly my battered copy of Lonely Planet didn’t prepare me well for daily life in the capital. But through perseverance I’ve forged my own lifestyle and friendship groups and that’s what I’m proudest of. The experiences I encounter, good and bad, are shaping me into a stronger person, the person I never thought I could be.
My advice to anyone considering placement relocation comes as no surprise. Do it! In the protective bubble of development schemes there’s a lot to gain from taking a plunge. Just don’t get in the way of my morning commute, yeah?